Project Description

_Ordet Gallery

Not just an art gallery, but a space for experimenting with new forms of artistic innovation, where exhibitions of international artists follow one another. Ordet Gallery takes its name from the famous film by Carl Theodor, a cult of world cinema dated 1955, which was the inspiration for its ability to be contemporary despite the year of production. The affinity between film and this space is precisely a language, a way of communicating, which cannot be pigeonholed into any historical period because it is eternal, always current.

250 square meters of structure give life to a project in which the sharing of ideas is at the center of its dynamism. In the succession of exhibitions, all different and all vehicles of similar but divergent messages and techniques, is an attempt to extend the format of the art exhibition to something more. Artistic practices and cultural affiliations  interact with each other investigating the meeting point between their disparate languages which nevertheless try to represent the same world.

Fashion, painting, cinema, literature, photography, sculpture, music, start from the most distant poles of artistic intuition can be found here in this place, which is beyond any aesthetic and ontological prejudice, as they   intertwine and spread their message.

 

Not just an art gallery, but a space for experimenting with new forms of artistic innovation, where exhibitions of international artists follow one another. Ordet Gallery takes its name from the famous film by Carl Theodor, a cult of world cinema dated 1955, which was the inspiration for its ability to be contemporary despite the year of production. The affinity between film and this space is precisely a language, a way of communicating, which cannot be pigeonholed into any historical period because it is eternal, always current.

250 square meters of structure give life to a project in which the sharing of ideas is at the center of its dynamism. In the succession of exhibitions, all different and all vehicles of similar but divergent messages and techniques, is an attempt to extend the format of the art exhibition to something more. Artistic practices and cultural affiliations  interact with each other investigating the meeting point between their disparate languages which nevertheless try to represent the same world.

Fashion, painting, cinema, literature, photography, sculpture, music, start from the most distant poles of artistic intuition can be found here in this place, which is beyond any aesthetic and ontological prejudice, as they   intertwine and spread their message.

 

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